Ice Age: Dawn of the Dinosaurs grossed $41,690,382 during the weekend and $66,732,868 in its first five days, compared to an opening weekend gross of $68,033,544 for The Meltdown (Ice Age 2) from Mar. 31-Apr. 2, 2006.
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July 6, 20091 week ago
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June 15, 2009I am inclined to agree with Jenkins purely on the noise level (I’ve occasionally heard some loud male moaners) but couldn’t the shrieking/grunting be a competitive advantage in that it may intimidate their opponents?
Supposedly, such behavior occurs more often in the women’s game “because” when you grunt, when you breath at the contact point, you’re actually generating more velocity out of the racquet head, you’re more relaxed and you get power”, according to Dr. Jim Loehr, the CEO of LGE Performance Systems and adviser to Monica Seles who encouraged her to grunt since it “helps her to be more assertive in every aspect of her play”. (Bleacher Report)
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June 14, 20093 weeks ago
June 14, 2009
Carcast/Commute Cast Ep. 3 (18m09s)
Low-fi like usual, recorded with the loud AC fan and close to the stereo.
Topics: prepping for Fanime, hopefully soon reviews, some music criticism (Green Day’s and Danger Mouse’s new albums), and a bit of California politics.
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May 20, 20091 month ago
May 13, 2009The demise of the record cover has been under way since the arrival of the music video, followed by the shrunken canvas of the CD. Today, the album cover is just one of a dozen requirements for the successful marketing of music. The most important activity for the modern record company is getting artists onto magazine covers or into hit TV shows: the album cover is just one of many surfaces to be filled, no less or no more important than any other. Cover art will survive, encouraged by small independent labels and bands who crave a visual expression of their music. But as far as the major labels are concerned, if they could avoid spending money on record sleeves they would do it tomorrow.
The Coldplay cover, with its intriguing puzzle and uncommercial design, is an almost nostalgic statement of graphic simplicity. It can be viewed as a neat commentary on the death of the old record industry, but in the future it is more likely to be seen as a last hurrah for sleeve design and the notion of record covers as shared generational artifacts.